As you know I love sharing my completed and ongoing photography projects with you, whether they are through commission or personal, working on both for me is such a pleasure. I have wanted for a long time, to share more about the planning and processes I go through in order to capture that ‘best shot’.
Light.co contacted me and said how much they enjoyed my previous blogs and asked if I could write a blog about how I go about creating so many great images, so…..what a perfect opportunity to do just that. Light Co are keen to get more photographers sharing their stories of how they go about creating that great image so if you want to do get involved contact them direct. Their new camera does look very interesting, kind of a DSLR capacity but with the convenience of a phone, it uses a multiple lens system to shoot the scene at once and then they are put together in a DSLR quality photograph.
Personal projects; these start as little creative balls that bounce about in my head, sometimes they come from inspiration of other artists work online, or face to face in galleries. Other times they are the ‘wake first thing in the morning and have to keep a sketch pad next to your bed’ kinda shots that you know you just have to take or you’ll burst! My submissions for the Skin Exhibition this year at the Horsebridge Centre were like this, I had pictures in my head of exactly how I wanted these photos to look (after months of thinking about it!).
Commissioned projects; Clients contact me to book shoots as they like my informal style, our initial meeting is more of a friendly chat, them letting me know what they want, and me explaining how this can be achieved. It is the trust clients have in me (through my years of courses, practice, and self taught skills), that I love the most, its about collaboration, enabling me to have full creative reign with the photos, but within their requirements.
For a start point, what you choose to photograph, is unique to you, from your gut/your place of instinct, you have chosen to press that shutter at that exact moment for a reason.
It is difficult to think of just one shot to describe to you, so you may find the following process useful:
- Sketch (stick women are fine!) some initial ideas of how you want your particular photo to look, what camera are you using? I have upgraded to a Canon 6d, there are so many ‘point and shoot’ cameras out there, including ones on mobile phones, which provide good quality photos. What lens do you want to use (I love to work with my 50mm lens) taking into consideration of things such as depth of field. I get fully absorbed in my mind of what exactly I want to shoot sometimes over many hours!
- Shoot time – key tip if you are shooting all day, or out on location (If its a shoot for a client, I will undertake a pre-shoot to familiarise myself with the location), wear comfy shoes! remember a strong stance will help the shot if you are working with a heavy full frame camera. Many must do photography tips mention the basics of the rule of thirds, this is a good starting point to set up your photo but as the saying goes ‘aren’t all rules meant to be broken?’. Your golden shot may not come immediately, so having patience to get to it, is important, equally if you feel that you aren’t getting that ‘one shot’ then move on to the next, particularly if you are time limited, my night photography shots are very much like this; setting up in the evenings in the cold and wind, but patience and perseverance will reward you. Have a try also mixing up your photo orientation; play with portrait and landscape shots. Basic edits on phones can be undertaken by in phone or downloadable apps, I have Photoshop Express on my iPhone, and use lightroom and photoshop for more in-depth edits on the Mac (I could go into this much more, on another blog perhaps?).
- Have fun – I can’t emphasise this enough, taking photos professionally or personally is a pleasure. Always try new things and push yourself to those shots which are out of your comfort zone, some accidental photos and mis -fires in the studio have provided me with some of my most favourite shots!
Here are just some of my top recent photos:
Products: A great shoot with the Sunlight centre cafe team. This shot was taken under studio lights, 1/125 f5.6 iso 100, with my 24-105 lens. Post processing in Lightroom.
Portraits: Working with the fabulous Sullivan family. This shot was taken in early light 1/200 F5.6 iso 320 with a 50mm lens. Post processing in Lightroom.
Personal Project: Night Photography. This shot was taken at 11.30pm, 8 sec exp, f1.4 ISO 200 50mm lens. Post processing in Lightroom.
Please feel free to share your photos with me.
This blog post follows my previous blogs here and here of me getting together my ideas for the Exhibition of ‘Skin’ for Pandora’s Other Box.
During July and August, I also had my Medway Open Studios Exhibition of ‘Hidden Forms in nature and other stories’ (more about that in another blog – I promise!), which extended the exploration of ‘The Nude’ into forms of nature, mainly faces, and the suggestion of body parts mainly in the trunks of trees!
I am also preparing for a larger exhibition in 2017, where I am documenting interesting locations in states of decay, or change, with the addition of a nude figure to capture how everything eventually declines.
Whilst working in these three areas I organically came to what I wanted to submit for consideration for the Skin Exhibition.
Nature, Mother, and Grandad – three photos I was so immensely proud of, and was delighted to be accepted for exhibition of all three! The following words accompanied the photos whilst on display:
Nature – this photo is part of a series exploring nature and its hidden forms. Bark on a tree enables preservation, and encourages us to look at familiar views on ourselves, linking to the concepts of body image, and just as we come in all fabulous shapes and sizes, so does nature and we should embrace it.
Mother – this photo is part of a series which started in 2013 exploring the concepts of body image through the nude. This photo in particular on the brief of skin is acting as protection for our children.
Grandad – a tribute to a wonderful man who sadly passed away in July 2016. This photo forms part of a series over the last year where Nikki explored the concepts of self and family documentary photography, preserving a moment in time, life, and ultimately with the ones we love.
The Private view took place on Sunday 29th August; and here are a few photos taken celebrating all the wonderful artists who were included, in particular a live performance from Laure Meloy who responded to the art pieces in the form of Opera, and Clair Meyrick local poet and performer.
It has been a very personal, and heart felt journey from the first meeting to exhibition. I have felt that as a photographer, you put so much more into a photo, it’s not just about pressing the shutter, having a technically great result, but it also has a part of you, your thoughts your ideas, your creativity, your view on life is what makes your photos and what you do so unique.
Here’s to the next one.
Those of you who read my previous blog on the beginnings of getting my ideas together for the Exhibition of Skin for Pandora’s Other Box, at the Horsebridge Centre Whitstable, will note that the development of my ideas has been an interesting journey.
I had still been skirting around what I had wanted to produce therefore I took some of my previous work to the second Pandoras other box enrichment meeting, particularly ‘The Nude’ work. This is ongoing work from 2013, at that stage I was looking for technically perfect photos and poses of the models, and being work I had completed 3 years prior wasn’t sure how I felt about them now, as both my skills and creative thoughts have moved on so much since then.
I was a little apprehensive to start as other than the feedback I received from my visitors at my open studios, I hadn’t really had much direct critique of my work. It was great however, to have the constructive feedback from the ladies at the Pandoras other box meeting. At this stage I hadn’t fully set what my focus was for the Skin competition. Various feedback included that ‘the photos were technically excellent, some didn’t like the way the nude models were looking directly into the camera, some loved the openness and relaxed nature of the models (which I think in part is down to my ability to put people at ease), and some suggested that I find the meaning for me in the photos that I produce’. This was perhaps the best bit of advice, as I had concentrated so much into the technical side before, that I hadn’t reflected on what message I want to convey.
With that in mind I went off once again to explore another technique of using the body again but focussing on hands……..they can often give us so much information about a person, even if we do not know them very well. I played with ‘in camera’ double exposure, similar effects can also be gained from overlaying photos in photoshop.
Through a friend of mine, I noticed a post on Facebook inviting women to an informal talk about Whitstable Womens Art group Pandora’s Other Box.
A little apprehensive to start I drove to my favourite sea side place, I was’t sure really what to expect but I suppose that is the great thing of going slightly out of your comfort zone to learn about something new. I’ve wanted to expand my art based photography more along side the commercial side and felt that this would be great opportunity to do it!
The women at the meeting were very welcoming and the wide scope of the exhibition title ‘Skin’ was the focus, explained that there will be a series of meet ups, and enrichment workshops to lead to exhibition at the Horsebridge Centre Whitstable what a great focus.
Feeling totally inspired from the session, I hurried away making notes and sketching ideas on what I wanted to focus on, my initial thoughts were around Macro Photography, focussing literally on the skin capturing all its wonderful blemishes. I’d focussed on The Nude in a previous project so feel quite comfortable around this subject. Another thought is around tattoo’s and piercings as a form of body armour/expression, another part of me wants to run off and make something in clay!
A visit to the British Museum was great to bring my focus back and great to go as a group as well helped the sharing of ideas over cake! I’ve only ever been to the British Museum once before, and how many of us can say we have been inspired by Japanese, Egyptian and Mexican art in one day!
The second meet up was a great leveller, I was very conscious that I hadn’t ‘played’ enough with my project ideas and getting into a bit of a spiral of lots of thought and no action. It was reassuring to hear that many women in the group felt the same.
My conclusion to this part of the process is that I need to play more and be confident that the outcome may not be the final piece, its more the journey we take sometimes.
The start to my Brownie 127 project (Medway in the 1950’s) has been amazing. I’ve made such a connection with the people I interviewed, don’t get me wrong it has been amazing visiting the Medway archives searching through resources and reading books about local history, but it something entirely different talking to people, and listening to their stories. Here’s a taster of some of the people I have interviewed so far for the project (Don’t want to give any spoilers!), want to be involved? see here.
Barry E: a great visit to the former Horsted Farm site in Chatham where Barry’s family worked, it is now an open space with some housing, skirting the edge of Fort Horsted. Barry remembers when they planted the trees for the Orchard.
Richard B: we visited numerous places Luton arches area of Chatham. I loved hearing Richards stories especially that the proximity to living so close to the railway had inspired him to become an engineer! Richards enthusiasm for the local area and supporting its heritage hasn’t faltered as he is the Chairman of a charity working to establish a 1939 Chatham bus as an educational resource, the Medway Heritage Bus.
Thank you to each and everyone who has supported Nikki Price Photography in 2015. Although my time during the last year has involved in a number of other projects, I have still had the pleasure of photographing some really bespoke and varied events, as well as portraits of families, bumps, products, and even ventured out into my second short documentary video.
I always try to have a ‘top ten’ of my favourite shoots of the year (but there are more!), and my customers have even put forward their favourite photo suggestions.
The following is a sample of photography I love to do, and if you need a photographer to photograph your event (musical/dance/other performances, band etc), family, products, or even just a little something for you in 2016 then you can always drop me a line on my CONTACT ME page, or if you want to see what I get up to in 2016 why note follow me on Facebook Nikki Price Photography.
It was great to welcome back the Travelling Talesman to Medway for part of his tour. A snug and welcoming evening was had at the Dot Cafe/Cafe 172 in Rochester.
Rochester Literature Festival didn’t disappoint with it’s literary weekend, encompassing talks, debates, cafe crawls, and writing workshops.
Urban Expressions festival delighted the people of Medway showcasing the talents of local people as well as further afield in Parkour, graffiti art, skateboarding, and music.
Woodlands Youth centre welcomed me to their Restaurant night, providing meals to the local Elderly people. Such a great production of food, music and dancing all by the young people of Medway.
It was a pleasure to photograph both the McCarthy and Everest families, both quite informal, with studio lighting in one, and around Rochester Castle in another. Having families in a space they are familiar with or are comfortable in makes for a really enjoyable shoot on both parts!
Featured Fan Photo:
Linda McCarthy loved this particular photo I took and was ‘one of the best photo’s taken’, definitely a beautiful candid capture.
I had the pleasure of working with Gulay Jarvis of Satsuma Bamboo and Organic Products on two shoots for her new website. Gulay a textile artist, has designed a range of scarves, that could be used for nursing, everyday or during a workout. Her products are so soft, and in some gorgeous colours why not check her website out?
It was great to have undertaken some documentary photography to accompany a journal pieces for WOW magazine written by my partner. One was for the Bowerhouse in Maidstone, a gorgeous building set back of the main Tunbridge Road, that houses an eclectic mix of art and folk music. Lucy and her family were so welcoming as I settled down to watch ‘The Devils Interval’. The second shoot was for the Kent County Show ground event, it was an interesting day for a couple of vegetarians!
Link to the (Bowerhouse).
It was an absolute pleasure working with Stuart, Bob, Steve, Nick, and Rob of the Stuart Turner and the Flat Earth Society band for their forthcoming album (a sample of which can tantalise your ears here). Stuart was particularly interested in the ‘Log and bluebells’ photo I had on display at my Medway Open Studios Exhibition in 2014. He then wanted to have a similar shot but in the Autumn with the band in shot, so after a bit of GPS I finally found the same log in the woods after many months. So pleased that a vinyl copy was lovingly dropped off to Nikki Price Photography HQ today!
Instagram: It was interesting to see my #2015best9 photos on Instagram, I do love a bit of bike riding and capturing those gorgeous sunsets!
Medway Open Studios 2015 was a blast with my themed 80’s Film photos, and guess the film title! I’m also full steam ahead with my Brownie Project 127 camera project, going back to film photography, combining this with local history links with testimonials from those who grew up in the 1950’s when the Brownie 127 was manufactured (more details and how to get involved here).
Personal Photography Projects:
I love to keep myself challenged and look to developing my photography, and my personal photography projects do just that.
Earlier in the year I participated in ‘The Body electric’ group, which enabled me to see how my art (and I) interact and affect my community (more detail on this to come!).
I saw two wonderful friends get married in the South of France, 3 beautiful days in a gorgeous french cottage in the sun.
The year rounded off nicely with an informal ‘bump’ shoot with my good friend who is due anytime now!
Here’s to a creative and peaceful 2016 x
I must admit I haven’t played around with film photography for a while, my last project of film photos was for my modern day fairytale exhibition for Medway Open Studios.
I was delighted to be asked to have a play with a Kodak Brownie 127, something of a staple camera from the 1950’s.
The prospect of using another film camera was exciting. I’m at the start of prepping for a blurred / imperfect / destructive digital photography project, and the imperfections and a ‘hope and a prayer kind of photo’ that film gives you, has fuelled my fire of producing more film photography.
As I had come to the Brownie 127 Project quite late, it seemed the perfect time to have my 9 exposures entitled ‘The Last Day of Summer’. So on the sunniest and warmest day of August 2015, I loaded up the Brownie 127 and spent some quality time in my garden.
I was fortunate enough to have ben lent a Brownie camera with a film by a fellow artist who is also submitting work for the Brownie 127 project. This and the advice via email from the project lead made this start very easy.
I was however a little apprehensive to start…..with my staple 35mm Canon Film camera, (make sure its loaded in a dark room, automatic wind on, be careful when handling the film, make sure its in a dark room etc etc), the ease and simplicity of the Brownie camera seemed a little too good to be true! but it was! Loading the film in the shade was a breeze, it was quite difficult to work out if it had caught on the spool, but after a few turns it was. The number of exposures from the rear of the camera, didn’t appear as easily I’d hoped from the instructions with ‘2 or 3 turns would suffice’, however the roll needed to be turned at least 6 to see the exposure numbers. The Brownie seemed pretty hardy and robust.
I had posted a photo of the camera on my Instagram and my Facebook business page, and quite a number of family members and friends were posting that they too had a Brownie camera exactly the same back in the day. This was also great way of getting any further tips on using it!
I really wasn’t too sure if any of my photos would come out, however as the day was bright and all photos were taken in the garden, so thought at least they would be well lit!
Due to the timescale to the project submission deadline, I sent the film away for developing, and within a week they had been returned, I think the price was reasonable for the developing. I will in the future have an experiement and develop my own.
When I had received the photos and the film back, it was evident that stillness when taking the photo was key (a skill to perfect on especially without the stabiliser function on digital cameras!), and to keep the subject wide in the view finder. I had perhaps been a little too close in shots of my dog (and that he was very energetic!). It was great to see however the contrasts in the photos were good (which I love high contrast photos), and some ‘happy mistakes’ were made when I didn’t turn the film on enough and got a double exposure on part of the film. This double exposure reminded me of when I went back to the very basics and made a camera obscura out of a shoe box. These ‘imperfections’ of slightly blurred, out of focus, and contrasty photos, I absolutely love. This camera is definitely one for more abstract photography (and great for quick holiday snaps).
I also couldn’t resist taking a photo of my digital camera, as homage to the film!
Nikki Price, The Last Day of Summer (2015) 127 Film
For those of you who would like to be involved in a Nikki Price Photography project then carry on reading:
I’m revisiting a significant/memorable place for those of you who were children/young people growing up in the Medway Towns (or near) in the 1950’s, to have your photo taken at that place today, and to give this a short paragraph of why it is memorable/significant.
If you are interested in volunteering for this next project then drop me a line through the contact me link here:
Been a while since the Medway open studios 2015 exhibition ‘It is what it is’
Thank you to everyone who came and guessed the film quote from many of my favourite 80’s and 90’s movies. It was great to see different interpretations of my photos.
Bigger thanks go out to all the wonderful people who took away with them lollies (for all correct guesses) and Nikki Price photography prints!
My favourite photo’s have to be these:
‘If I’m not me, then who the hell am I’ -Arnie in Total Recall
Big thanks to my good friend Riven for the make up!
Although there was also room for something a bit silly:
‘You should see the toast I couldn’t even get it through the door’ – John Candy as Uncle Buck
Again, we see her frustration with the system. The fetishism of everyday living is symbolised by another reoccurring theme, that is breakfast, which serves as a duel reminder of new beginnings and our constant struggle with power and authority. She has given up hope and the crisp bread is discarded before it can fulfil its potential.
I’ve already got my thinking cap on for the 2016 theme………hope to catch you there.
Its nearly upon us Medway Open Studios 2015, anyone see my article in WOW! (page 19!)
I’ve had a bit of creative block for this MOSAF, don’t get me wrong I’m busy busy and loving it, but have a lacked a bit of oomph for my own work. That’s when dear Mr Nikki Price Photography came to the rescue with his quotes from 80’s and 90’s movies.
This open studios has been perhaps the least prepared I’d have liked to have been, but hey some of my best work has been in the moment! This exhibition is also slightly different in that there is a mixture of both portrait, self portraits, still life and landscape, so hopefully something for everyone!
Hope you will all pop along and see me (Saturday 25th and Sunday 26th July 11-3 further details here) and see if you can match up the quotes with the photos (possible prizes available -lollies!). I’ll also be displaying some photos from the last year which I think you’ll enjoy.
Till then x
I’m taking part in a short course called The Body Electric. I wanted to undertake something purely for my own development, I’m aware that it has been some time since my last blog, but hey ho, I Love to be busy!
Starting The Body Electric course has proved a very valuable time to me as a community activist and photographer, giving me wider thought about my community; the role I play within it; how my photography reflects my passion for the Medway area, and to also open my mind to new creative ways of thinking.
The breadth of experience within the room, and willingness of sharing skills and ideas, is wonderful. Some areas of the Medway Towns are sometimes put down in the media, over the recent years I’ve only felt a real ‘can do/will do’ attitude through the people I meet. Don’t get me wrong there are improvements that can be made anywhere and no place is ever really ‘perfect’, but feel that your little slice can be made great and have a knock on effect to the wider area.
We shared lunch today, thinking about our environmental community, many people chose to bring along food to share that they had made themselves, I bought along a vegetarian pasta with pesto made from the spinach in my garden. The visit to the Sunlight Centres Community Garden, and Mens Shed project was inspirational.
I have definately got out of my comfort zone at our full day session today; I just went for a wander with my camera (those of you who know me well, know I like to have a plan of action!) to explore lower Gillingham, a place I hadn’t really visited before. Rambling over the old port train track, to Hillyfields. Amongst the rows of Victorian terraces I stopped at the Orchard on Hillyfields pondering over a cut tree and wrote this:
Hilly fields 09.05.15
Your roots are still there
And part of you to see
An illusion of a grand tree
That you once were, to me
I don’t know what happened
Or how it came to be
That you are there
with your bare bones to see
Amongst this concrete jungle
You are in an oasis of calm
The birds continue their tweeting
As the sun beats down on my arm
There are so many places in Medway
I have yet to see
But for now thanks Hillyfields
Thanks for having me.