Wow! It’s been such a while dearest readers since my last blog, plenty of things keeping me busy. Medway Open Studios and Arts Festival (MOSAF) 2018 was a great platform for me at the start of my Masters, working through my initial ideas for the photo part of it and getting some fantastic feedback and critique from my visitors.
MOSAF 2019 was a ‘taster platform’ of my final batch of photographs to exhibit before choosing the final 4 for submission in September (formats have been chosen, more of this to come!). I had some great conversations with visitors around my research subject of exploring Personal Loss, Memory and Family, with photographs and objects after a bereavement (more info about it here). I am interested to see if there are any common themes shared that reflected my own experiences of loss in the family, and if there were any similarities in which objects and photographs we keep and the memories we share. My research has helped me navigate my own grief and the whole process has been, (as my research participants have told me), a good thing to ‘Hold space’ for others to also have that time for dedicated conversations.
The exhibition included 10 photos of both my family photos and others from my research participants, accompanied by their written memory about each object or photograph. Here is a taster of one of my exhibited photos:
Vase with wilting Flowers
A Vase sitting on the sideboard that was bought as a Wedding Gift for my Grandparents. The flowers wilting, losing their glorious bloom, the room lays silent, soon to be empty, a whisper in the echo of a memory.
[Grandparents home 2016]
I am also pleased that visitors to my MOSAF19 exhibition felt able to share their memories if they wished they could leave their thoughts on my memories corkboard. I loved chatting with all my visitors about this subject as I had done interviewing the participants for my research. A big thank you to all my MOSAF19 visitors and participants. If you would like to get involved in my future research, or just want to get in touch to share your views then contact me here.
In the week of MOSAF19 I was interviewed on BBC Radio Kent as part of their ‘Phone Tracker’, (2.28 in) this gave me a great platform not only to promote my exhibition but to also talk about my research. It’s amazing what points you can get across in 4-5 minutes!
So, what’s next?
I have the summer to write up my research and prepare for my MA exhibition, and very happy to have the ‘time off’ I’m quite enjoying this final stage. I don’t think I’ve had this much time off in summer since I was 14 years old, so I’m going to make sure this happens with much self-care as well as study. I’m also going to be enjoying taking more photographs, joining up with a few like-minded ‘togs for some photo walks, and may treat myself to a new lens or two!
I am, as ever, passionate about living well and ensuring that we have great photographs to keep along-side our memories, this is what our loved ones will cherish, I know I do.
On reflecting my research which I have really enjoyed doing and so passionate about someone said to me recently ‘Nikki you won’t get time like this again, so make the most of it’, and I plan to do just that.
Thanks to one of my visitors for this photograph:
The Rochester West by-election is coming soon, and I’ve had a number of promotional leaflets through my door for our local parties. Before I put them in the recycling bin, I thought it would be fun to see how the different parties are using photography to promote their candidates. I have tried not to look at their policies or political views or read the content in the leaflets. Instead I have attempted to give a rounded interpretation and analysis of their use of photos.
The Conservative leaflet shows a tilted, informal headshot taken on St Margarets Street. Alan’s stance is slightly turned to the left looking direct at the camera. Although not confrontational, as it might be if he were facing straight on to the camera, he has a relaxed smile. It seems to have been taken on a smart phone, giving a wide frame and low picture quality, he is also slightly out of focus. It does however give a leading line drawing the viewers eye down St Margarets Street, metaphorically enforcing that Rochester is the focus of this campaign.
The off-set fold of the front page invites you to explore the inner content. Inside are a number of posed and informal shots. A mixture of ‘in situ’ or ‘in action’ photos demonstrate the candidate supporting various campaigns in the area. The photos in green spaces suggest Alan is ‘out-and-about’ and active in his local area, however some, for example the photograph of the candidate in the green space with his foot on the white barrier, feel somewhat staged.
The last page shows three further ‘in situ’ photographs of the candidate with a local shop keeper and former candidate for the area. This contrasts with the informal layout of the first page. The catalpa tree photo is perhaps the most relaxed photo with Alan in a traditional male pose standing off centre with his hand in his pockets. This could either be interpreted as being relaxed or disinterested.
Overall the photographs within this leaflet are relaxed and informal and although they connect to build a story of the areas the candidate supports, it feels visually overloaded.
Martin’s front page portrait echoes the informality of the Conservative candidate, this time taken in a green space. Although I would not advise standing straight on to the camera, he has something in his hand, which somehow breaks the barrier, making it seem less confrontational. He is positioned at the centre of the photograph, the leading line is a path in the middle, which similar to the Conservative candidate, leads the viewer’s eye back to central Rochester. He is centred between two trees, nicely avoiding the foliage sprouting out of the top of the head look. Martin has a relaxed and friendly smile. I would surmise this was taken on a smart phone or basic digital camera, on an overcast day, as it slightly out of focus and quite dark. It would have been great to see the photo a bit brighter. Martin appears to be ‘out-and-about’ as he has his Liberal Democrats badge on and the photograph is taken by someone else. It is also good to see a younger candidate. There is one other photo on the page linking to a support campaign, and a stock photo from the Liberal Democrats, suggesting more of the overall aims of the party as opposed to the achievements of the individual for the community, as illustrated on the Conservative leaflet.
Overall, the portrait on this leaflet is the most friendly, relaxed and welcoming, with a smaller number of other photos indicating the wider party views.
The first thing that struck me about the Labour Candidates leaflet is it is well thought out. The front page is dominated by the River Medway with a ‘hero’ shot of Alex looking into the distance. I would suggest this has been taken by a professional photographer, due to the framing and use of depth of field.
This photo reminded me of a promotional leaflet for a theatre production (not dissimilar to the poster for David Tennant in Don Juan in Soho last year). The candidate is the focus of the promotion. Alex appears well groomed, wearing professional dress. I would, however, liked him to make a little more eye contact with the camera. This appears to be from an organised shoot, rather than an ‘out-and-about’ campaign shot.
Overall the photographs in this leaflet are of higher quality that the other candidates, and a case of quality over quantity. However, from the visuals I am unsure from this what campaigns the candidate has supported.
Rob’s portrait is also informal, it appears to have been taken as a ‘selfie’. It has been taken from below which doesn’t result in a very favourable angle, this main photo on the leaflet appears to have been stretched giving a ‘fish eye’ appearance, with a better smaller version on the reverse. The candidate is ‘in situ’ at a polling station, with additional photographs on the reverse indicating some issues the party are supporting locally. As with the Liberal Democrats leaflet there doesn’t appear to be any direct visual link to the achievements of the candidate.
Sonya’s leaflet was the last to arrive. I wasn’t sure whether I would receive one, given the Green’s environmental concerns, however was pleased to see it has been printed on recycled paper. Similar to the Conservative, Liberal and UKIP candidates, her portrait is informal and slightly off centre. She is looking directly down the lens with a slight head tilt and relaxed smile. It appears this has been cropped from a larger photo used on the Green’s website. In the source photo her pose looks stilted, but the crop on the leaflet is much more favourable. The exposure of the photograph is spot on the website, however it hasn’t translated well on the leaflet, which could be due to the paper. As this headshot is the only photograph, like the Labour leaflet, there is little visual information about the campaigns the candidate has supported.
All the leaflets use photography differently their candidates displaying their party colours. Each puts their own twist on their photos, using hero shots, snapshots, informal, ‘selfies’ and ‘out and about’ photos. A leaflet is an easy way for candidates to get across their messages, the photos used create the immediate visual connection with the person behind the campaign. The parties have put forward four white male candidates and one white woman, I would have liked to have seen a bit more diversity.
Given the timescale for this campaign it is understandable why some of the photos may appear rushed, this highlights a need for a quality stock of photos, taken at events and regular organised photoshoots.
Top tips for election candidate photos:
- When possible use a good quality digital camera. A smart phone is great for those ‘out and about’ shots, but not selfies, always ask someone to take it for you.
- Consider using one of the many basic editing software apps to get your smart phone photos just right.
- Take photos in the location you are representing. Even better in a green space, they create and healthy feel and usually have better light.
- Remember to take photographs when your campaigning or supporting events. This will help you to build up a ‘bank’ of stock photos, to use in your promotions and help you tell your story when needed.
- Natural light is a must, most candidates have used outdoor photographs, however ensure you are making the most of your chosen light conditions
- A relaxed genuine smile always brings life to your photos and helps you connect.
- If you are unsure about what pose styles work for you, try them in a mirror. Ask a portrait photographer or search for some tips on the internet.
- Add interest and creativity to your photos by using leading lines and being creative with depth of field.
- Don’t be afraid to play with the layout of your photographs, cropping when necessary. Sometime a badly framed photo can be saved by a good crop.
- Where possible work with a professional photographer whose work you know and like for those quality shoots.
I was delighted to be contacted by Julie Davies to collaborate on a blog. Julie lives up to her name of being The Florist that teaches, providing online tips for you to do exactly the same in the comfort of your own home, or face to face in workshops.
It felt very natural for me to write this blog as a way of my skills sharing series, with top tips to enable you to take photos of your floral creations at home. There are a variety of other scenarios in which to take photographs, for example out in landscape with wild flowers, in workshops, sheds, markets etc, perhaps this is room for another blog!
Although the photos you see here have been taken using a Canon 6D, the following will give you some pointers for ‘point and shoot‘ cameras, or using a smart phone, both of which can work just as well, particularly if you are uploading small versions of your photos onto websites or social media.
- Position your flowers next to a large window; this will help maximum natural light which is better than using the orange tinge of household lights, (there is always the option to shoot outside).
- If you have a macro / flower symbol setting on your camera, use it! It will let you bring out the finer details of those gorgeous blooms.
- Don’t forget to ‘set the scene‘ if you are wanting to show how you work on your flowers through your photos, pop some scissors, oasis, ribbon etc on a wooden block (a kitchen chopping board will do just fine if you have one), everyone loves a story.
- Keep the background to your photos simple, after all you want to highlight how beautiful your floral creations are, white (or black) card can work and help with bouncing the light into those harsh shadows.
- Take the photos using interesting angles, the rule of thirds can be helpful, however, be creative and use a variety of angles in your shots to show off those blooms.
- Using your macro setting on your camera, shoot ‘through‘ a bouquet to focus on one particular flower that takes your interest.
- Similarly as above; take one flower out of the bunch and make it the star of your show!
- A little post production may help bring out the best in your photos, so if you have photoshop, or other editing software, don’t be afraid to use it. Photoshop express on the i-phone is fab.
I hope these tips have been useful and if so I would love to hear from you, so why not drop me a line through my contact me page.
I’ve been thinking about further study for a while now, and after an incredibly positive and encouraging conversation with a fellow colleague (as you may know, photography isn’t my full time occupation at the moment), I’m looking into applying for an MA by Research. All I know at this stage is that a major part of it will focus on photography, and will give me the opportunity to complete a qualification at a higher level in the arts.
My journey to University to complete my undergrad degree, at the time, was something my head told me I needed to do, but my heart was bitterly disappointed as I hadn’t achieved the necessary grades to pursue a degree in art/digital media. I am a great believer in that everything happens for a reason, so I did go to uni and achieve my Business Studies and Marketing degree with a 2:1 honours, and many years later after years of hobby photography and work, I started my own business.
I’ll be using these blog posts as a journal in my thought processes through and up to the application deadline date (May 2017 and hopefully beyond if it gets accepted) as a way of collecting my thoughts and developing my ideas on my research focus. Whatever happens will be the right path for me.
I’ve made a great start, contacting a colleague who is undertaking an MA by Research now in creative media, I’ve joined the University library and signed out a couple of books to get me started, I’ll be researching online journals and will be looking for a mentor/s soon.
I have an internal monologue that’s asking me why now? Well I feel in a good place to undertake further study, my business is steadily growing, and I’d love to get my teeth into something meaty about photography (ridiculous phrase maybe for a vegetarian!) that is purely of my own direction, and starting Nikki Price Photography (amongst other things in my life) have proven to me that I am highly motivated working on my own.
Three broad key areas my initial thoughts have touched on are (Documentary) Photography (obviously!), Sociology, and the concept of self/identity through photography, which has been a running project theme for a while.
That’s the first stage, I’m excited and very keen to get going, and I hope you will join me for my new journey, whatever path will be the right one for me.
Those of you who caught my round up of 2015, will know how pleased I was to see that year grow for Nikki Price Photography, and have been so delighted that my business has once again gone from strength to strength in 2016. A sincere and heartfelt thanks to all my clients, models, and everyone who has supported Nikki Price Photography. Testimonials from client shoots have reaffirmed that you love my informal style of photography too! So once again thank you.
2017 is bringing some fantastic opportunities for me (watch this space!) and I’m already being booked throughout next year for your gorgeous events, and family shoots. If you need a photographer for your product, portrait, event, or other shoot, drop me a line on my contact me page or via email@example.com .
I have loved looking over the past years photoshoots, commissions and projects, here are some of my favourites:
Cafe Sunlight – Food Photography
I am immensely proud to have worked with so many fantastic creative and charitable organisations this year such as Cafe Sunlight
Cafe Sunlight is based in the Sunlight Centre Gillingham, and the team invited me to take photographs of their hot food offer for parties and conferences; as they wanted to refresh their website for their London events. The food produced by Chef Dave was fantastic as you can see below, and the team were a delight to work with.
Top tip for indoor food photography using flash: have some white card or white fabric handy to make the most of the flash, bouncing the light back onto your gorgeous food, avoids harsh shadows.
Exhibiting more of my work this year, has been a thrilling but scary experience! I took part in Medway Open Studios with my ‘Hidden forms in nature theme’, which sparked lots of interesting chats with visitors. I was also proud to have interpreted work by Poet Dan Simpson in the Wordsmithery Heretics exhibition/performance. I produced a layered photograph which contained a self portrait, woodland and a glacier, it was good to pushed my boundaries. I was also involved ‘In the footsteps of the Pilgrims’ exhibition at St Mary’s Church Burham, one of my favourite churches near my home town. I exhibited 2 photos, both taken at night of the Church, I was extra pleased about this as one of the pieces sold and is now winging its way to America to a family who emigrated there from Burham over 20 years ago. The exhibition that had most impact on me was the Pandora’s Other Box ‘Skin’ exhibition at the Horsebridge Centre.
Top tip for exhibition photographs: have a plan for your final pieces but don’t be afraid to change it! Playing through your plan; will often bring forward ideas you may never have thought of.
I have loved working with local youth groups, artists, and Rochester Literature Festival this year. A highlight was working at Woodlands Youth Centre MC and DJ workshop for young people, lead by MC artist Harry Shotta. The young people loved the opportunity to try out their MC skills and my only regret is that I didn’t have time to try DJ’ing! A poignant event for young people I had the privilege of photographing was the Tryangle awards at the Central Theatre Chatham, the first time I had been on that stage!
Towards the end of 2016 I was pleased to photograph the See and Create launch, headed up by Artist Chris Sacre. The launch, at Nucleus Arts Chatham, was a great opportunity to learn about his Arts Council funded project aimed at Deaf families providing accessible workshops and other events in 2017.
Top tip for photographing events: sturdy shoes with no heels! and a wide angle (F1.4) lens make for a good shot particularly in low light situations and shoes with no heels make for quiet movement over wooden floors, nothing worse than a photographer with squeaky shoes!
Family photography is one of my favourites, meeting new people and providing some gorgeous informal photos for you is a pleasure. It is a delight to be invited into someones home to capture moments at a party, outdoors with mum (and dads) bump shoot, or in the studio with you and your little ones; I received some great feedback on your shoots. I also ran a competition for a family shoot this Autumn as I had missed out on taking some great photos in the autumnal leaves last year.
Top tip for photographing families: particularly those with small children/babies; ensure you have a rough plan in your head about the shots you want to achieve, and take your time, feeding and changing stops need to be factored in!
I have put this section to wrap up the year for all those things that would seem a little lonesome on their own, but gives you a flavour of everything else I get up too!
I’ve started my series of skills sharing blogs, and ran nature photography workshops with young people in Grain. My business is also now live on Gravesend.co.uk business listing pages, a particularly significant direction taking Nikki Price Photography into North Kent.
Although I am not a wedding photographer, I do make exceptions for very small number of intimate weddings each year; Garry and Vicky’s was just that, a lovely family and friends relaxed wedding, in such a beautiful setting, it was a pleasure to be part of their day.
This years short documentary/business info films include The Right Step Dance Company and my own personal short about Time which had its launch at Seasonally Effected a cultural open mic night back in November.
Being a photographer I don’t ever really stop taking photographs, after all its what I love the most. I’ve usually always got my i-phone on me to take snaps or love to take the 6D out for a spin when I feel the urge.
Since 2013 I have been thinking about and producing photographs for a body image project, celebrating the nude without over processing in photoshop. The bulk of work is growing, with more shoots to take place in the new year (when the weather warms up a bit!); this (or some elements of it) will form part of my solo exhibition (so sorry no sneak peeks here!), more news to come on that one throughout 2017.
Last on the list -but not least! some photos of my Christmas day morning stroll around the West End of London, with my partner and pooch.
Thanks for reading my blog, and your support throughout this year. Here’s to another great year of photography.
As you know I love sharing my completed and ongoing photography projects with you, whether they are through commission or personal, working on both for me is such a pleasure. I have wanted for a long time, to share more about the planning and processes I go through in order to capture that ‘best shot’.
Light.co contacted me and said how much they enjoyed my previous blogs and asked if I could write a blog about how I go about creating so many great images, so…..what a perfect opportunity to do just that. Light Co are keen to get more photographers sharing their stories of how they go about creating that great image so if you want to do get involved contact them direct. Their new camera does look very interesting, kind of a DSLR capacity but with the convenience of a phone, it uses a multiple lens system to shoot the scene at once and then they are put together in a DSLR quality photograph.
Personal projects; these start as little creative balls that bounce about in my head, sometimes they come from inspiration of other artists work online, or face to face in galleries. Other times they are the ‘wake first thing in the morning and have to keep a sketch pad next to your bed’ kinda shots that you know you just have to take or you’ll burst! My submissions for the Skin Exhibition this year at the Horsebridge Centre were like this, I had pictures in my head of exactly how I wanted these photos to look (after months of thinking about it!).
Commissioned projects; Clients contact me to book shoots as they like my informal style, our initial meeting is more of a friendly chat, them letting me know what they want, and me explaining how this can be achieved. It is the trust clients have in me (through my years of courses, practice, and self taught skills), that I love the most, its about collaboration, enabling me to have full creative reign with the photos, but within their requirements.
For a start point, what you choose to photograph, is unique to you, from your gut/your place of instinct, you have chosen to press that shutter at that exact moment for a reason.
It is difficult to think of just one shot to describe to you, so you may find the following process useful:
- Sketch (stick women are fine!) some initial ideas of how you want your particular photo to look, what camera are you using? I have upgraded to a Canon 6d, there are so many ‘point and shoot’ cameras out there, including ones on mobile phones, which provide good quality photos. What lens do you want to use (I love to work with my 50mm lens) taking into consideration of things such as depth of field. I get fully absorbed in my mind of what exactly I want to shoot sometimes over many hours!
- Shoot time – key tip if you are shooting all day, or out on location (If its a shoot for a client, I will undertake a pre-shoot to familiarise myself with the location), wear comfy shoes! remember a strong stance will help the shot if you are working with a heavy full frame camera. Many must do photography tips mention the basics of the rule of thirds, this is a good starting point to set up your photo but as the saying goes ‘aren’t all rules meant to be broken?’. Your golden shot may not come immediately, so having patience to get to it, is important, equally if you feel that you aren’t getting that ‘one shot’ then move on to the next, particularly if you are time limited, my night photography shots are very much like this; setting up in the evenings in the cold and wind, but patience and perseverance will reward you. Have a try also mixing up your photo orientation; play with portrait and landscape shots. Basic edits on phones can be undertaken by in phone or downloadable apps, I have Photoshop Express on my iPhone, and use lightroom and photoshop for more in-depth edits on the Mac (I could go into this much more, on another blog perhaps?).
- Have fun – I can’t emphasise this enough, taking photos professionally or personally is a pleasure. Always try new things and push yourself to those shots which are out of your comfort zone, some accidental photos and mis -fires in the studio have provided me with some of my most favourite shots!
Here are just some of my top recent photos:
Products: A great shoot with the Sunlight centre cafe team. This shot was taken under studio lights, 1/125 f5.6 iso 100, with my 24-105 lens. Post processing in Lightroom.
Portraits: Working with the fabulous Sullivan family. This shot was taken in early light 1/200 F5.6 iso 320 with a 50mm lens. Post processing in Lightroom.
Personal Project: Night Photography. This shot was taken at 11.30pm, 8 sec exp, f1.4 ISO 200 50mm lens. Post processing in Lightroom.
Please feel free to share your photos with me.
I must admit I haven’t played around with film photography for a while, my last project of film photos was for my modern day fairytale exhibition for Medway Open Studios.
I was delighted to be asked to have a play with a Kodak Brownie 127, something of a staple camera from the 1950’s.
The prospect of using another film camera was exciting. I’m at the start of prepping for a blurred / imperfect / destructive digital photography project, and the imperfections and a ‘hope and a prayer kind of photo’ that film gives you, has fuelled my fire of producing more film photography.
As I had come to the Brownie 127 Project quite late, it seemed the perfect time to have my 9 exposures entitled ‘The Last Day of Summer’. So on the sunniest and warmest day of August 2015, I loaded up the Brownie 127 and spent some quality time in my garden.
I was fortunate enough to have ben lent a Brownie camera with a film by a fellow artist who is also submitting work for the Brownie 127 project. This and the advice via email from the project lead made this start very easy.
I was however a little apprehensive to start…..with my staple 35mm Canon Film camera, (make sure its loaded in a dark room, automatic wind on, be careful when handling the film, make sure its in a dark room etc etc), the ease and simplicity of the Brownie camera seemed a little too good to be true! but it was! Loading the film in the shade was a breeze, it was quite difficult to work out if it had caught on the spool, but after a few turns it was. The number of exposures from the rear of the camera, didn’t appear as easily I’d hoped from the instructions with ‘2 or 3 turns would suffice’, however the roll needed to be turned at least 6 to see the exposure numbers. The Brownie seemed pretty hardy and robust.
I had posted a photo of the camera on my Instagram and my Facebook business page, and quite a number of family members and friends were posting that they too had a Brownie camera exactly the same back in the day. This was also great way of getting any further tips on using it!
I really wasn’t too sure if any of my photos would come out, however as the day was bright and all photos were taken in the garden, so thought at least they would be well lit!
Due to the timescale to the project submission deadline, I sent the film away for developing, and within a week they had been returned, I think the price was reasonable for the developing. I will in the future have an experiement and develop my own.
When I had received the photos and the film back, it was evident that stillness when taking the photo was key (a skill to perfect on especially without the stabiliser function on digital cameras!), and to keep the subject wide in the view finder. I had perhaps been a little too close in shots of my dog (and that he was very energetic!). It was great to see however the contrasts in the photos were good (which I love high contrast photos), and some ‘happy mistakes’ were made when I didn’t turn the film on enough and got a double exposure on part of the film. This double exposure reminded me of when I went back to the very basics and made a camera obscura out of a shoe box. These ‘imperfections’ of slightly blurred, out of focus, and contrasty photos, I absolutely love. This camera is definitely one for more abstract photography (and great for quick holiday snaps).
I also couldn’t resist taking a photo of my digital camera, as homage to the film!
Nikki Price, The Last Day of Summer (2015) 127 Film
For those of you who would like to be involved in a Nikki Price Photography project then carry on reading:
I’m revisiting a significant/memorable place for those of you who were children/young people growing up in the Medway Towns (or near) in the 1950’s, to have your photo taken at that place today, and to give this a short paragraph of why it is memorable/significant.
If you are interested in volunteering for this next project then drop me a line through the contact me link here:
Been a while since the Medway open studios 2015 exhibition ‘It is what it is’
Thank you to everyone who came and guessed the film quote from many of my favourite 80’s and 90’s movies. It was great to see different interpretations of my photos.
Bigger thanks go out to all the wonderful people who took away with them lollies (for all correct guesses) and Nikki Price photography prints!
My favourite photo’s have to be these:
‘If I’m not me, then who the hell am I’ -Arnie in Total Recall
Big thanks to my good friend Riven for the make up!
Although there was also room for something a bit silly:
‘You should see the toast I couldn’t even get it through the door’ – John Candy as Uncle Buck
Again, we see her frustration with the system. The fetishism of everyday living is symbolised by another reoccurring theme, that is breakfast, which serves as a duel reminder of new beginnings and our constant struggle with power and authority. She has given up hope and the crisp bread is discarded before it can fulfil its potential.
I’ve already got my thinking cap on for the 2016 theme………hope to catch you there.
Its nearly upon us Medway Open Studios 2015, anyone see my article in WOW! (page 19!)
I’ve had a bit of creative block for this MOSAF, don’t get me wrong I’m busy busy and loving it, but have a lacked a bit of oomph for my own work. That’s when dear Mr Nikki Price Photography came to the rescue with his quotes from 80’s and 90’s movies.
This open studios has been perhaps the least prepared I’d have liked to have been, but hey some of my best work has been in the moment! This exhibition is also slightly different in that there is a mixture of both portrait, self portraits, still life and landscape, so hopefully something for everyone!
Hope you will all pop along and see me (Saturday 25th and Sunday 26th July 11-3 further details here) and see if you can match up the quotes with the photos (possible prizes available -lollies!). I’ll also be displaying some photos from the last year which I think you’ll enjoy.
Till then x
I’m taking part in a short course called The Body Electric. I wanted to undertake something purely for my own development, I’m aware that it has been some time since my last blog, but hey ho, I Love to be busy!
Starting The Body Electric course has proved a very valuable time to me as a community activist and photographer, giving me wider thought about my community; the role I play within it; how my photography reflects my passion for the Medway area, and to also open my mind to new creative ways of thinking.
The breadth of experience within the room, and willingness of sharing skills and ideas, is wonderful. Some areas of the Medway Towns are sometimes put down in the media, over the recent years I’ve only felt a real ‘can do/will do’ attitude through the people I meet. Don’t get me wrong there are improvements that can be made anywhere and no place is ever really ‘perfect’, but feel that your little slice can be made great and have a knock on effect to the wider area.
We shared lunch today, thinking about our environmental community, many people chose to bring along food to share that they had made themselves, I bought along a vegetarian pasta with pesto made from the spinach in my garden. The visit to the Sunlight Centres Community Garden, and Mens Shed project was inspirational.
I have definately got out of my comfort zone at our full day session today; I just went for a wander with my camera (those of you who know me well, know I like to have a plan of action!) to explore lower Gillingham, a place I hadn’t really visited before. Rambling over the old port train track, to Hillyfields. Amongst the rows of Victorian terraces I stopped at the Orchard on Hillyfields pondering over a cut tree and wrote this:
Hilly fields 09.05.15
Your roots are still there
And part of you to see
An illusion of a grand tree
That you once were, to me
I don’t know what happened
Or how it came to be
That you are there
with your bare bones to see
Amongst this concrete jungle
You are in an oasis of calm
The birds continue their tweeting
As the sun beats down on my arm
There are so many places in Medway
I have yet to see
But for now thanks Hillyfields
Thanks for having me.