Welcome to my second post of this little series of ‘Memories from Home’ blog.
In my Masters research it was important for participants to have items that they could physically hold such as photographs, and other objects in their homes, as well as using other senses (smell for example) when remembering a loved one. These interactions through touch sometimes fleeting in the everyday, were important in maintaining ongoing memories and connections to their loved one. The object or photograph either gifted to or bought by the participant, was often kept in prominent or useful places in the home maintaining a sense of their loved one in their everyday, a tangible presence in absence of the person.
I became fascinated through my visual recording of the interviews, how objects and photographs brought to the table for discussion (literally in some instances as we spoke over coffee and dining tables), were touched and presented, often with fondness and care. The way items were presented to me supported participants anonymity, enabling me to take photo’s of the objects either directly on tables or held in someones hands.
The Pudding Tin
Fray Bento’s is a Scottish food brand whose pies were a staple of my Grandparents. This tinned delight of Steak and Kidney or other meaty varieties (or now I’ve looked into being a vegetarian they now have Veggie Balti and Cheese and Onion Pies now -going to give them a try!) graced the lunch time plate, with a healthy dollop of mash and veg. My Grandparents were a traditional couple having a ‘big dinner’ at lunchtime, so when my family and I used to visit, usually arriving around this time, we were greeted by these kind of smells of hearty filling dinners. Food in big tins or plastic pudding containers is something I will always associate with my Grandparents. When organising their home after they died, I was gifted their white and blue tin plates, and a tin bowl, something that would be desirable as vintage now! My Grandparents would use this tin bowl for collecting the scraps ready for the compost bin, good home made mulch for the runner beans. I now use this tin bowl everyday in my kitchen for the same purpose, it’s battered, the colour faded, and dented, but still fit for the same purpose.
The tin bowl is not in a prominent place in my home, or in a cabinet for display, it is a functional item, that is touched, emptied and washed everyday, but none the less is an important touch connection and ritual as a reminder of my Grandparents.
What items do you have in your home from a loved one, that you use everyday?
If you want to join me on my journey through my PhD research; my focus is expanding towards creativity and how artists and in the everyday use grief as a way of creative expression. You can always contact me, if you wish to be involved as a participant in my research.
I look forward to seeing your shares and stories with me through my Facebook page.
My Masters (and now expanding to PhD) focussed on everyday home objects and photographs that are kept after a bereavement in a family. I’m interested in what memories and stories, objects and photographs evoke, and why people choose to keep certain items around them in their homes.
I’d encourage others to share home photographs and objects in a similar vein that we have in our home now, that may relate to a loved one, or kept as a memento of a holiday for example. I’ll be sharing items from my home and archive and will include a little story about the associated meanings, memories and anecdotes I have, occasionally linking to readings that I’ve found useful, and you may too.
In the current global climate, many of us are working from and spending more time in our homes, and thinking this would be a good time for us to come together online as a community, sharing our memories, stories, objects and photographs from our homes. Connections to everyday objects and photographs that are important, valuable (not necessarily in a monetary way) as well as enriching our lives.
Those of you who have been following my blog and Masters journey, will be familiar with this mirror:
It belonged to my Grandparents, gifted to them as a Wedding present back in 1958. It has 12 sides, held by a short chain and circle, with clips attaching the mirror to the backing, something vintage now, definitely of the time, I’ve done some research into the manufacturer, most likely to be G-plan:
It was always a feature in my Grandparent’s home as long as I can remember, in the house they lived in from when I was young until I was 36. As kids we would dance and sing in front of it, put on Nan’s scarves and put makeup on in front of it.
I’ve been reading Brian Dillons ‘In the Dark Room’, and in his ‘Things’ chapter he talks about the wider associations to a kept object, going beyond what it is at face value, similar to the writings of John Berger who wrote about memories being non-linear. Objects and photographs allow us to focus on recall of memory, however not always working in a linear way, i.e different associations to an object or photograph at different times.
Sometimes the evoked memories through the object or photograph go far beyond the initial memory;
The mirror for me is symbolic as reflecting our family life, sharing the laughs and the sorrows, birthdays, the room in which it was hung, the other objects and photographs that surrounded it like a shrine of my family history. The smells that filled the room, the pie and mash dinners, fish and chips, tomato ketchup that sat opposite it on the table, the sweet smell of cake, hairspray and atrixo hand cream. Beyond the room in which the mirror was hung, was an ordinary terraced house that sat in an estate, in the early days had a conifer in the front garden, a short walk to the river. The mirror, now over 60 years old now sits in my home, reflecting my life, in my terraced home. It shares and reflects the people in my life, those who visit, the couple who visited me during my Open House, who had lived in my house some 40 years earlier. What memories the mirror could tell if it could speak.
I’ll be writing a blog soon on my Masters Research, and those wanting to join me on my journey through PhD; the focus is expanding towards creativity and how artists and in the everyday use grief as a way of creative expression. You can always contact me, if you wish to be involved as a participant in my research.
I look forward to seeing your shares and stories with me through my Facebook page.
Until next time.
Those of you who caught my round up of 2015, will know how pleased I was to see that year grow for Nikki Price Photography, and have been so delighted that my business has once again gone from strength to strength in 2016. A sincere and heartfelt thanks to all my clients, models, and everyone who has supported Nikki Price Photography. Testimonials from client shoots have reaffirmed that you love my informal style of photography too! So once again thank you.
2017 is bringing some fantastic opportunities for me (watch this space!) and I’m already being booked throughout next year for your gorgeous events, and family shoots. If you need a photographer for your product, portrait, event, or other shoot, drop me a line on my contact me page or via firstname.lastname@example.org .
I have loved looking over the past years photoshoots, commissions and projects, here are some of my favourites:
Cafe Sunlight – Food Photography
I am immensely proud to have worked with so many fantastic creative and charitable organisations this year such as Cafe Sunlight
Cafe Sunlight is based in the Sunlight Centre Gillingham, and the team invited me to take photographs of their hot food offer for parties and conferences; as they wanted to refresh their website for their London events. The food produced by Chef Dave was fantastic as you can see below, and the team were a delight to work with.
Top tip for indoor food photography using flash: have some white card or white fabric handy to make the most of the flash, bouncing the light back onto your gorgeous food, avoids harsh shadows.
Exhibiting more of my work this year, has been a thrilling but scary experience! I took part in Medway Open Studios with my ‘Hidden forms in nature theme’, which sparked lots of interesting chats with visitors. I was also proud to have interpreted work by Poet Dan Simpson in the Wordsmithery Heretics exhibition/performance. I produced a layered photograph which contained a self portrait, woodland and a glacier, it was good to pushed my boundaries. I was also involved ‘In the footsteps of the Pilgrims’ exhibition at St Mary’s Church Burham, one of my favourite churches near my home town. I exhibited 2 photos, both taken at night of the Church, I was extra pleased about this as one of the pieces sold and is now winging its way to America to a family who emigrated there from Burham over 20 years ago. The exhibition that had most impact on me was the Pandora’s Other Box ‘Skin’ exhibition at the Horsebridge Centre.
Top tip for exhibition photographs: have a plan for your final pieces but don’t be afraid to change it! Playing through your plan; will often bring forward ideas you may never have thought of.
I have loved working with local youth groups, artists, and Rochester Literature Festival this year. A highlight was working at Woodlands Youth Centre MC and DJ workshop for young people, lead by MC artist Harry Shotta. The young people loved the opportunity to try out their MC skills and my only regret is that I didn’t have time to try DJ’ing! A poignant event for young people I had the privilege of photographing was the Tryangle awards at the Central Theatre Chatham, the first time I had been on that stage!
Towards the end of 2016 I was pleased to photograph the See and Create launch, headed up by Artist Chris Sacre. The launch, at Nucleus Arts Chatham, was a great opportunity to learn about his Arts Council funded project aimed at Deaf families providing accessible workshops and other events in 2017.
Top tip for photographing events: sturdy shoes with no heels! and a wide angle (F1.4) lens make for a good shot particularly in low light situations and shoes with no heels make for quiet movement over wooden floors, nothing worse than a photographer with squeaky shoes!
Family photography is one of my favourites, meeting new people and providing some gorgeous informal photos for you is a pleasure. It is a delight to be invited into someones home to capture moments at a party, outdoors with mum (and dads) bump shoot, or in the studio with you and your little ones; I received some great feedback on your shoots. I also ran a competition for a family shoot this Autumn as I had missed out on taking some great photos in the autumnal leaves last year.
Top tip for photographing families: particularly those with small children/babies; ensure you have a rough plan in your head about the shots you want to achieve, and take your time, feeding and changing stops need to be factored in!
I have put this section to wrap up the year for all those things that would seem a little lonesome on their own, but gives you a flavour of everything else I get up too!
I’ve started my series of skills sharing blogs, and ran nature photography workshops with young people in Grain. My business is also now live on Gravesend.co.uk business listing pages, a particularly significant direction taking Nikki Price Photography into North Kent.
Although I am not a wedding photographer, I do make exceptions for very small number of intimate weddings each year; Garry and Vicky’s was just that, a lovely family and friends relaxed wedding, in such a beautiful setting, it was a pleasure to be part of their day.
This years short documentary/business info films include The Right Step Dance Company and my own personal short about Time which had its launch at Seasonally Effected a cultural open mic night back in November.
Being a photographer I don’t ever really stop taking photographs, after all its what I love the most. I’ve usually always got my i-phone on me to take snaps or love to take the 6D out for a spin when I feel the urge.
Since 2013 I have been thinking about and producing photographs for a body image project, celebrating the nude without over processing in photoshop. The bulk of work is growing, with more shoots to take place in the new year (when the weather warms up a bit!); this (or some elements of it) will form part of my solo exhibition (so sorry no sneak peeks here!), more news to come on that one throughout 2017.
Last on the list -but not least! some photos of my Christmas day morning stroll around the West End of London, with my partner and pooch.
Thanks for reading my blog, and your support throughout this year. Here’s to another great year of photography.
This blog post follows my previous blogs here and here of me getting together my ideas for the Exhibition of ‘Skin’ for Pandora’s Other Box.
During July and August, I also had my Medway Open Studios Exhibition of ‘Hidden Forms in nature and other stories’ (more about that in another blog – I promise!), which extended the exploration of ‘The Nude’ into forms of nature, mainly faces, and the suggestion of body parts mainly in the trunks of trees!
I am also preparing for a larger exhibition in 2017, where I am documenting interesting locations in states of decay, or change, with the addition of a nude figure to capture how everything eventually declines.
Whilst working in these three areas I organically came to what I wanted to submit for consideration for the Skin Exhibition.
Nature, Mother, and Grandad – three photos I was so immensely proud of, and was delighted to be accepted for exhibition of all three! The following words accompanied the photos whilst on display:
Nature – this photo is part of a series exploring nature and its hidden forms. Bark on a tree enables preservation, and encourages us to look at familiar views on ourselves, linking to the concepts of body image, and just as we come in all fabulous shapes and sizes, so does nature and we should embrace it.
Mother – this photo is part of a series which started in 2013 exploring the concepts of body image through the nude. This photo in particular on the brief of skin is acting as protection for our children.
Grandad – a tribute to a wonderful man who sadly passed away in July 2016. This photo forms part of a series over the last year where Nikki explored the concepts of self and family documentary photography, preserving a moment in time, life, and ultimately with the ones we love.
The Private view took place on Sunday 29th August; and here are a few photos taken celebrating all the wonderful artists who were included, in particular a live performance from Laure Meloy who responded to the art pieces in the form of Opera, and Clair Meyrick local poet and performer.
It has been a very personal, and heart felt journey from the first meeting to exhibition. I have felt that as a photographer, you put so much more into a photo, it’s not just about pressing the shutter, having a technically great result, but it also has a part of you, your thoughts your ideas, your creativity, your view on life is what makes your photos and what you do so unique.
Here’s to the next one.
Been a while since the Medway open studios 2015 exhibition ‘It is what it is’
Thank you to everyone who came and guessed the film quote from many of my favourite 80’s and 90’s movies. It was great to see different interpretations of my photos.
Bigger thanks go out to all the wonderful people who took away with them lollies (for all correct guesses) and Nikki Price photography prints!
My favourite photo’s have to be these:
‘If I’m not me, then who the hell am I’ -Arnie in Total Recall
Big thanks to my good friend Riven for the make up!
Although there was also room for something a bit silly:
‘You should see the toast I couldn’t even get it through the door’ – John Candy as Uncle Buck
Again, we see her frustration with the system. The fetishism of everyday living is symbolised by another reoccurring theme, that is breakfast, which serves as a duel reminder of new beginnings and our constant struggle with power and authority. She has given up hope and the crisp bread is discarded before it can fulfil its potential.
I’ve already got my thinking cap on for the 2016 theme………hope to catch you there.
I’m taking part in a short course called The Body Electric. I wanted to undertake something purely for my own development, I’m aware that it has been some time since my last blog, but hey ho, I Love to be busy!
Starting The Body Electric course has proved a very valuable time to me as a community activist and photographer, giving me wider thought about my community; the role I play within it; how my photography reflects my passion for the Medway area, and to also open my mind to new creative ways of thinking.
The breadth of experience within the room, and willingness of sharing skills and ideas, is wonderful. Some areas of the Medway Towns are sometimes put down in the media, over the recent years I’ve only felt a real ‘can do/will do’ attitude through the people I meet. Don’t get me wrong there are improvements that can be made anywhere and no place is ever really ‘perfect’, but feel that your little slice can be made great and have a knock on effect to the wider area.
We shared lunch today, thinking about our environmental community, many people chose to bring along food to share that they had made themselves, I bought along a vegetarian pasta with pesto made from the spinach in my garden. The visit to the Sunlight Centres Community Garden, and Mens Shed project was inspirational.
I have definately got out of my comfort zone at our full day session today; I just went for a wander with my camera (those of you who know me well, know I like to have a plan of action!) to explore lower Gillingham, a place I hadn’t really visited before. Rambling over the old port train track, to Hillyfields. Amongst the rows of Victorian terraces I stopped at the Orchard on Hillyfields pondering over a cut tree and wrote this:
Hilly fields 09.05.15
Your roots are still there
And part of you to see
An illusion of a grand tree
That you once were, to me
I don’t know what happened
Or how it came to be
That you are there
with your bare bones to see
Amongst this concrete jungle
You are in an oasis of calm
The birds continue their tweeting
As the sun beats down on my arm
There are so many places in Medway
I have yet to see
But for now thanks Hillyfields
Thanks for having me.
It has been a while since my last blog back in July. I thoroughly enjoyed the Medway Open Studios and the feedback from my Mindfulness exhibition was fantastic, some more filming to come I think.
As well as being busy with commissions, event photography, workshops, photography courses and personal projects, I wanted to share with you that as a photographer I just can’t resist the urge to document things!
Everything I see and experience I want to capture in my memory as well as my camera, seeing everything from a pleasing angle. It is very easy these days to capture anything at any time (if you have a smart phone on you). Some of my most wonderful moments have been on a relaxed woodland walk with my Woof, taking the odd photo on my I-phone, which I would urge you to do as well.
My photography is such a mindfulness act, being right in the moment with my clients, friends, loved ones, continuing to see things in the best way possible, capturing that smile, the laugh of the audience, seeing the confidence grow in people who have never really done any photography before.
Documenting things has become such a part of me through my love of photography, helping me to capture those wonderful moments in life.
I just wanted to share that with you. Happy Snapping x
Wow – its been busy busy at Nikki Price Photography HQ since February, Band shoots, Event photography, Graduations, Head shots, and preparation for my exhibition for this Julys Medway open Studios.
This year I’m focussing on Mindfulness, a particularly poignant theme for me this year since starting the Time to Talk events in which chatters come together to discuss Mental Health issues they may have experienced, in a supportive environment, both chatters and I have been interested in Mindfulness to help with Mental Health issues they maybe facing. I find the act of simply being focussed on one thing so beneficial and calming, Photography for me is a Mindful practice, I wondered what other people did and benefitted from being ‘Mindful’.
So here I go camera in hand, having a dialogue with my models, as well as stills there will be a short documentary about each models thoughts and experiences of Mindfulness.
There have been some wonderful examples of people being Mindful so far in my shoots, being by the river, yoga practice, walking, drawing, reading, I don’t think I’ve been more attentive and peaceful watching someone shine their shoes in my life, truly amazing.
I’m also working with a superb musicians to get the music to accompany the documentary, a new venture for me.
Hope to see you at the Medway Open Studios 12th-21st July.
After the Richard Heeps inspired workshop I learned that he would be doing an informal gallery talk about his work. For some reason (perhaps the Americana) I had though that he was American, here’s my love of coming across new artists -I like to be surprised!. I soon learned that he was in fact from Cambridge, and studied in Farnham, he had visited America on 5 occasions gathering his work for his latest exhibition.
I instantly warmed to Richard, starting his talk by telling us that his photography had started as a hobby, he did go to art college however has never displayed any of his work from this time.
I wanted to know more about his aspirations and thought processes behind his art and there were somethings I could relate to. Richard said that his photos were displayed in the chronological order that he physically took them. I could instantly relate to this, although I do have a tumbled approach to my creative thoughts sometimes, I also like to be very methodological with my work. I’m never tempted to move onto say editing another shoot, until I am 100% happy with the outcome of the first. On such profiles as my flickr account everything is displayed in the order it was taken. I suppose this maybe a consequence of documentary photography, noting the passage of time or a natural order of things. You wouldn’t start with a photo of a demolished building and end with the building as it was, upright, I don’t know perhaps you would, that’s the beauty of Art and being creative.
Another beautiful element to his work is that it is largely from his own interest and inspired projects, which is something I’m sure all photographers would relate to.
Richard told us that he really gets to know the people in his photos before taking their picture (using mainly friends), this was particularly reassuring to me as I do often think that my own photos may look a bit ‘samey’ using the same people, however I think I have shown that if you get to know people really well, they feel more relaxed which will bring out the best in them and therefore your photos.
A good tip was also to keep sending your photos to various magazines and websites to get your work to a wider audience, I am regularly looking for competitions and opportunities like this. A nice thought to keep on doing what you love as per a previous blog.
A lot of work for Richards recent work is capturing things before the are gone, and I think the same can be said for analogue photography, unless we keep on, it may fade which would be a real shame, don’t get me wrong I think that the accessibility to digital cameras by most is fantastic, but feel that some generations may not know what it is…..(another blog here maybe?)
What I also got from his talk was to not be afraid of long term projects, i.e. spanning many years. I have started a self portrait project near or on my birthday, from my last birthday onwards. I think my challenge is also to collate all my childhood photos, I don’t think I have many of these (another project coming along I think!).