Fellow artist Tracie Peisley who heads up Pandora’s other Box womens artist group in Whitstable, dropped me a line recently to ask if I would like to give an update on my work since Exhibiting for the Skin project at the Horsebridge Centre in August 2016 to the group.
I had a think and decided to write a blog as I haven’t for a while, regular blog followers will know I usually do an end of year wrap up blog. The Skin project/exhibition was a pivotal moment in my confidence in displaying work in a larger gallery, of course I have always been involved in Medway Open Studios, and submitted work for galleries before with other artists, but this point really gave me a thought of well, yep I think I can do this by myself.
I’ve had a number of commissions over the past year, and at the beginning of the year I started my research for my Masters application, which I am delighted to say I have had my interview, and been offered a place to study an MA by Research in October this year! Exciting and scary in equal measures, I haven’t undertaken any Higher Ed studies since my BA in 2001. Naturally I wanted to ensure a large element of the MA would include visual research, so photography, my passion, will form a large part of that. My last MA Blog, was great to get my thoughts rolling and will be concentrating on elements of Identity through photography, including affirmations through (or not) sharing of photos on social media platforms, decisions of parents to (or not) share photographs of their children also on social media, and what (if any) effect this has on their identity. I will be looking for individuals, and families to be involved, so if you would like to be then please drop me a line on my contact me page. Needless to say the MA will take a large proportion of my time over the next 2 years, but Nikki Price Photography will be running as usual.
I am currently in middle of Medway Open Studios #MOSAF2017 and my studio (the front room of my Victorian terrace) will be open for the final weekend 22-23rd July 11-3. This year as with every year I try something completely new, and I have made 10 pieces exploring double or triple exposures both in camera and in Photoshop. Many of the photographs include water, and reflections, and are quite peaceful contemplative pieces. A couple of wonderful visitors have compared one piece in particular to being like the work of “Paul Nash or Peter Lanyon” what a great compliment! I saw Paul Nash’s work last year at the Tate, so this may have had some kind of subconscious influence.
I have also been concentrating on my ‘Altogether’ exhibition at Sun Pier House Tea Room 3-28th September 2017. This is a collection of pieces of positive body image, using everyday (non model) nude subjects, photographed in non-traditional places. Like my MA, this exhibition seems a natural progression for work that I have been producing since 2013, the pieces for ‘Altogether’ have been taken over the past year, and include locations such as derelict buildings, marsh land, nature reserves, and in the studio. I want to portray an image that individuals could relate to, ‘real’ bodies without the furnishings of Photoshop or designer clothing, taking it right back to the basics of who we are fundamentally underneath, Human. I have found this series of photographs a real balance, of ensuring the importance of the message, affirmation of my own skills, sympathetic to my subjects and the audience eye.
A great round off to this week has been shooting for Last British Dragon UK Film Company headed up by fantastic film maker James Crow. James invited me to take photographs of the band formerly known as Bucks Fizz, The Fizz during filming their video for their come back single. What a great day and a nice bunch.
Think that’s plenty to keep me busy for the moment.
I must admit I haven’t played around with film photography for a while, my last project of film photos was for my modern day fairytale exhibition for Medway Open Studios.
I was delighted to be asked to have a play with a Kodak Brownie 127, something of a staple camera from the 1950’s.
The prospect of using another film camera was exciting. I’m at the start of prepping for a blurred / imperfect / destructive digital photography project, and the imperfections and a ‘hope and a prayer kind of photo’ that film gives you, has fuelled my fire of producing more film photography.
As I had come to the Brownie 127 Project quite late, it seemed the perfect time to have my 9 exposures entitled ‘The Last Day of Summer’. So on the sunniest and warmest day of August 2015, I loaded up the Brownie 127 and spent some quality time in my garden.
I was fortunate enough to have ben lent a Brownie camera with a film by a fellow artist who is also submitting work for the Brownie 127 project. This and the advice via email from the project lead made this start very easy.
I was however a little apprehensive to start…..with my staple 35mm Canon Film camera, (make sure its loaded in a dark room, automatic wind on, be careful when handling the film, make sure its in a dark room etc etc), the ease and simplicity of the Brownie camera seemed a little too good to be true! but it was! Loading the film in the shade was a breeze, it was quite difficult to work out if it had caught on the spool, but after a few turns it was. The number of exposures from the rear of the camera, didn’t appear as easily I’d hoped from the instructions with ‘2 or 3 turns would suffice’, however the roll needed to be turned at least 6 to see the exposure numbers. The Brownie seemed pretty hardy and robust.
I had posted a photo of the camera on my Instagram and my Facebook business page, and quite a number of family members and friends were posting that they too had a Brownie camera exactly the same back in the day. This was also great way of getting any further tips on using it!
I really wasn’t too sure if any of my photos would come out, however as the day was bright and all photos were taken in the garden, so thought at least they would be well lit!
Due to the timescale to the project submission deadline, I sent the film away for developing, and within a week they had been returned, I think the price was reasonable for the developing. I will in the future have an experiement and develop my own.
When I had received the photos and the film back, it was evident that stillness when taking the photo was key (a skill to perfect on especially without the stabiliser function on digital cameras!), and to keep the subject wide in the view finder. I had perhaps been a little too close in shots of my dog (and that he was very energetic!). It was great to see however the contrasts in the photos were good (which I love high contrast photos), and some ‘happy mistakes’ were made when I didn’t turn the film on enough and got a double exposure on part of the film. This double exposure reminded me of when I went back to the very basics and made a camera obscura out of a shoe box. These ‘imperfections’ of slightly blurred, out of focus, and contrasty photos, I absolutely love. This camera is definitely one for more abstract photography (and great for quick holiday snaps).
I also couldn’t resist taking a photo of my digital camera, as homage to the film!
Nikki Price, The Last Day of Summer (2015) 127 Film
For those of you who would like to be involved in a Nikki Price Photography project then carry on reading:
I’m revisiting a significant/memorable place for those of you who were children/young people growing up in the Medway Towns (or near) in the 1950’s, to have your photo taken at that place today, and to give this a short paragraph of why it is memorable/significant.
If you are interested in volunteering for this next project then drop me a line through the contact me link here:
Originally myself and a small group of local artists thought about starting an open house in our neighbourhood. We wanted to promote the wonderful diverse nature of the creativity in our local town particularly for independent artists, with a unique touch of having a view in peoples homes, this was around early 2012, when we discovered that Medway was due to have its own ‘Medway Open Studios‘, a fabulous find!
July and December 2012 Medway Open Studios were exceptionally well attended, and we are all looking forward to July 2013. We have collectively called ourselves ‘The Bishops Square Artists’ an affectionate name for the square that we all live on.
The Facebook event page and further details can be found here.
Heres to a successful summer.