The Rochester West by-election is coming soon, and I’ve had a number of promotional leaflets through my door for our local parties. Before I put them in the recycling bin, I thought it would be fun to see how the different parties are using photography to promote their candidates. I have tried not to look at their policies or political views or read the content in the leaflets. Instead I have attempted to give a rounded interpretation and analysis of their use of photos.
The Conservative leaflet shows a tilted, informal headshot taken on St Margarets Street. Alan’s stance is slightly turned to the left looking direct at the camera. Although not confrontational, as it might be if he were facing straight on to the camera, he has a relaxed smile. It seems to have been taken on a smart phone, giving a wide frame and low picture quality, he is also slightly out of focus. It does however give a leading line drawing the viewers eye down St Margarets Street, metaphorically enforcing that Rochester is the focus of this campaign.
The off-set fold of the front page invites you to explore the inner content. Inside are a number of posed and informal shots. A mixture of ‘in situ’ or ‘in action’ photos demonstrate the candidate supporting various campaigns in the area. The photos in green spaces suggest Alan is ‘out-and-about’ and active in his local area, however some, for example the photograph of the candidate in the green space with his foot on the white barrier, feel somewhat staged.
The last page shows three further ‘in situ’ photographs of the candidate with a local shop keeper and former candidate for the area. This contrasts with the informal layout of the first page. The catalpa tree photo is perhaps the most relaxed photo with Alan in a traditional male pose standing off centre with his hand in his pockets. This could either be interpreted as being relaxed or disinterested.
Overall the photographs within this leaflet are relaxed and informal and although they connect to build a story of the areas the candidate supports, it feels visually overloaded.
Martin’s front page portrait echoes the informality of the Conservative candidate, this time taken in a green space. Although I would not advise standing straight on to the camera, he has something in his hand, which somehow breaks the barrier, making it seem less confrontational. He is positioned at the centre of the photograph, the leading line is a path in the middle, which similar to the Conservative candidate, leads the viewer’s eye back to central Rochester. He is centred between two trees, nicely avoiding the foliage sprouting out of the top of the head look. Martin has a relaxed and friendly smile. I would surmise this was taken on a smart phone or basic digital camera, on an overcast day, as it slightly out of focus and quite dark. It would have been great to see the photo a bit brighter. Martin appears to be ‘out-and-about’ as he has his Liberal Democrats badge on and the photograph is taken by someone else. It is also good to see a younger candidate. There is one other photo on the page linking to a support campaign, and a stock photo from the Liberal Democrats, suggesting more of the overall aims of the party as opposed to the achievements of the individual for the community, as illustrated on the Conservative leaflet.
Overall, the portrait on this leaflet is the most friendly, relaxed and welcoming, with a smaller number of other photos indicating the wider party views.
The first thing that struck me about the Labour Candidates leaflet is it is well thought out. The front page is dominated by the River Medway with a ‘hero’ shot of Alex looking into the distance. I would suggest this has been taken by a professional photographer, due to the framing and use of depth of field.
This photo reminded me of a promotional leaflet for a theatre production (not dissimilar to the poster for David Tennant in Don Juan in Soho last year). The candidate is the focus of the promotion. Alex appears well groomed, wearing professional dress. I would, however, liked him to make a little more eye contact with the camera. This appears to be from an organised shoot, rather than an ‘out-and-about’ campaign shot.
Overall the photographs in this leaflet are of higher quality that the other candidates, and a case of quality over quantity. However, from the visuals I am unsure from this what campaigns the candidate has supported.
Rob’s portrait is also informal, it appears to have been taken as a ‘selfie’. It has been taken from below which doesn’t result in a very favourable angle, this main photo on the leaflet appears to have been stretched giving a ‘fish eye’ appearance, with a better smaller version on the reverse. The candidate is ‘in situ’ at a polling station, with additional photographs on the reverse indicating some issues the party are supporting locally. As with the Liberal Democrats leaflet there doesn’t appear to be any direct visual link to the achievements of the candidate.
Sonya’s leaflet was the last to arrive. I wasn’t sure whether I would receive one, given the Green’s environmental concerns, however was pleased to see it has been printed on recycled paper. Similar to the Conservative, Liberal and UKIP candidates, her portrait is informal and slightly off centre. She is looking directly down the lens with a slight head tilt and relaxed smile. It appears this has been cropped from a larger photo used on the Green’s website. In the source photo her pose looks stilted, but the crop on the leaflet is much more favourable. The exposure of the photograph is spot on the website, however it hasn’t translated well on the leaflet, which could be due to the paper. As this headshot is the only photograph, like the Labour leaflet, there is little visual information about the campaigns the candidate has supported.
All the leaflets use photography differently their candidates displaying their party colours. Each puts their own twist on their photos, using hero shots, snapshots, informal, ‘selfies’ and ‘out and about’ photos. A leaflet is an easy way for candidates to get across their messages, the photos used create the immediate visual connection with the person behind the campaign. The parties have put forward four white male candidates and one white woman, I would have liked to have seen a bit more diversity.
Given the timescale for this campaign it is understandable why some of the photos may appear rushed, this highlights a need for a quality stock of photos, taken at events and regular organised photoshoots.
Top tips for election candidate photos:
- When possible use a good quality digital camera. A smart phone is great for those ‘out and about’ shots, but not selfies, always ask someone to take it for you.
- Consider using one of the many basic editing software apps to get your smart phone photos just right.
- Take photos in the location you are representing. Even better in a green space, they create and healthy feel and usually have better light.
- Remember to take photographs when your campaigning or supporting events. This will help you to build up a ‘bank’ of stock photos, to use in your promotions and help you tell your story when needed.
- Natural light is a must, most candidates have used outdoor photographs, however ensure you are making the most of your chosen light conditions
- A relaxed genuine smile always brings life to your photos and helps you connect.
- If you are unsure about what pose styles work for you, try them in a mirror. Ask a portrait photographer or search for some tips on the internet.
- Add interest and creativity to your photos by using leading lines and being creative with depth of field.
- Don’t be afraid to play with the layout of your photographs, cropping when necessary. Sometime a badly framed photo can be saved by a good crop.
- Where possible work with a professional photographer whose work you know and like for those quality shoots.
Fellow artist Tracie Peisley who heads up Pandora’s other Box womens artist group in Whitstable, dropped me a line recently to ask if I would like to give an update on my work since Exhibiting for the Skin project at the Horsebridge Centre in August 2016 to the group.
I had a think and decided to write a blog as I haven’t for a while, regular blog followers will know I usually do an end of year wrap up blog. The Skin project/exhibition was a pivotal moment in my confidence in displaying work in a larger gallery, of course I have always been involved in Medway Open Studios, and submitted work for galleries before with other artists, but this point really gave me a thought of well, yep I think I can do this by myself.
I’ve had a number of commissions over the past year, and at the beginning of the year I started my research for my Masters application, which I am delighted to say I have had my interview, and been offered a place to study an MA by Research in October this year! Exciting and scary in equal measures, I haven’t undertaken any Higher Ed studies since my BA in 2001. Naturally I wanted to ensure a large element of the MA would include visual research, so photography, my passion, will form a large part of that. My last MA Blog, was great to get my thoughts rolling and will be concentrating on elements of Identity through photography, including affirmations through (or not) sharing of photos on social media platforms, decisions of parents to (or not) share photographs of their children also on social media, and what (if any) effect this has on their identity. I will be looking for individuals, and families to be involved, so if you would like to be then please drop me a line on my contact me page. Needless to say the MA will take a large proportion of my time over the next 2 years, but Nikki Price Photography will be running as usual.
I am currently in middle of Medway Open Studios #MOSAF2017 and my studio (the front room of my Victorian terrace) will be open for the final weekend 22-23rd July 11-3. This year as with every year I try something completely new, and I have made 10 pieces exploring double or triple exposures both in camera and in Photoshop. Many of the photographs include water, and reflections, and are quite peaceful contemplative pieces. A couple of wonderful visitors have compared one piece in particular to being like the work of “Paul Nash or Peter Lanyon” what a great compliment! I saw Paul Nash’s work last year at the Tate, so this may have had some kind of subconscious influence.
I have also been concentrating on my ‘Altogether’ exhibition at Sun Pier House Tea Room 3-28th September 2017. This is a collection of pieces of positive body image, using everyday (non model) nude subjects, photographed in non-traditional places. Like my MA, this exhibition seems a natural progression for work that I have been producing since 2013, the pieces for ‘Altogether’ have been taken over the past year, and include locations such as derelict buildings, marsh land, nature reserves, and in the studio. I want to portray an image that individuals could relate to, ‘real’ bodies without the furnishings of Photoshop or designer clothing, taking it right back to the basics of who we are fundamentally underneath, Human. I have found this series of photographs a real balance, of ensuring the importance of the message, affirmation of my own skills, sympathetic to my subjects and the audience eye.
A great round off to this week has been shooting for Last British Dragon UK Film Company headed up by fantastic film maker James Crow. James invited me to take photographs of the band formerly known as Bucks Fizz, The Fizz during filming their video for their come back single. What a great day and a nice bunch.
Think that’s plenty to keep me busy for the moment.