I was delighted to be contacted by Julie Davies to collaborate on a blog. Julie lives up to her name of being The Florist that teaches, providing online tips for you to do exactly the same in the comfort of your own home, or face to face in workshops.
It felt very natural for me to write this blog as a way of my skills sharing series, with top tips to enable you to take photos of your floral creations at home. There are a variety of other scenarios in which to take photographs, for example out in landscape with wild flowers, in workshops, sheds, markets etc, perhaps this is room for another blog!
Although the photos you see here have been taken using a Canon 6D, the following will give you some pointers for ‘point and shoot‘ cameras, or using a smart phone, both of which can work just as well, particularly if you are uploading small versions of your photos onto websites or social media.
- Position your flowers next to a large window; this will help maximum natural light which is better than using the orange tinge of household lights, (there is always the option to shoot outside).
- If you have a macro / flower symbol setting on your camera, use it! It will let you bring out the finer details of those gorgeous blooms.
- Don’t forget to ‘set the scene‘ if you are wanting to show how you work on your flowers through your photos, pop some scissors, oasis, ribbon etc on a wooden block (a kitchen chopping board will do just fine if you have one), everyone loves a story.
- Keep the background to your photos simple, after all you want to highlight how beautiful your floral creations are, white (or black) card can work and help with bouncing the light into those harsh shadows.
- Take the photos using interesting angles, the rule of thirds can be helpful, however, be creative and use a variety of angles in your shots to show off those blooms.
- Using your macro setting on your camera, shoot ‘through‘ a bouquet to focus on one particular flower that takes your interest.
- Similarly as above; take one flower out of the bunch and make it the star of your show!
- A little post production may help bring out the best in your photos, so if you have photoshop, or other editing software, don’t be afraid to use it. Photoshop express on the i-phone is fab.
I hope these tips have been useful and if so I would love to hear from you, so why not drop me a line through my contact me page.
I’ve been thinking about further study for a while now, and after an incredibly positive and encouraging conversation with a fellow colleague (as you may know, photography isn’t my full time occupation at the moment), I’m looking into applying for an MA by Research. All I know at this stage is that a major part of it will focus on photography, and will give me the opportunity to complete a qualification at a higher level in the arts.
My journey to University to complete my undergrad degree, at the time, was something my head told me I needed to do, but my heart was bitterly disappointed as I hadn’t achieved the necessary grades to pursue a degree in art/digital media. I am a great believer in that everything happens for a reason, so I did go to uni and achieve my Business Studies and Marketing degree with a 2:1 honours, and many years later after years of hobby photography and work, I started my own business.
I’ll be using these blog posts as a journal in my thought processes through and up to the application deadline date (May 2017 and hopefully beyond if it gets accepted) as a way of collecting my thoughts and developing my ideas on my research focus. Whatever happens will be the right path for me.
I’ve made a great start, contacting a colleague who is undertaking an MA by Research now in creative media, I’ve joined the University library and signed out a couple of books to get me started, I’ll be researching online journals and will be looking for a mentor/s soon.
I have an internal monologue that’s asking me why now? Well I feel in a good place to undertake further study, my business is steadily growing, and I’d love to get my teeth into something meaty about photography (ridiculous phrase maybe for a vegetarian!) that is purely of my own direction, and starting Nikki Price Photography (amongst other things in my life) have proven to me that I am highly motivated working on my own.
Three broad key areas my initial thoughts have touched on are (Documentary) Photography (obviously!), Sociology, and the concept of self/identity through photography, which has been a running project theme for a while.
That’s the first stage, I’m excited and very keen to get going, and I hope you will join me for my new journey, whatever path will be the right one for me.
Those of you who caught my round up of 2015, will know how pleased I was to see that year grow for Nikki Price Photography, and have been so delighted that my business has once again gone from strength to strength in 2016. A sincere and heartfelt thanks to all my clients, models, and everyone who has supported Nikki Price Photography. Testimonials from client shoots have reaffirmed that you love my informal style of photography too! So once again thank you.
2017 is bringing some fantastic opportunities for me (watch this space!) and I’m already being booked throughout next year for your gorgeous events, and family shoots. If you need a photographer for your product, portrait, event, or other shoot, drop me a line on my contact me page or via email@example.com .
I have loved looking over the past years photoshoots, commissions and projects, here are some of my favourites:
Cafe Sunlight – Food Photography
I am immensely proud to have worked with so many fantastic creative and charitable organisations this year such as Cafe Sunlight
Cafe Sunlight is based in the Sunlight Centre Gillingham, and the team invited me to take photographs of their hot food offer for parties and conferences; as they wanted to refresh their website for their London events. The food produced by Chef Dave was fantastic as you can see below, and the team were a delight to work with.
Top tip for indoor food photography using flash: have some white card or white fabric handy to make the most of the flash, bouncing the light back onto your gorgeous food, avoids harsh shadows.
Exhibiting more of my work this year, has been a thrilling but scary experience! I took part in Medway Open Studios with my ‘Hidden forms in nature theme’, which sparked lots of interesting chats with visitors. I was also proud to have interpreted work by Poet Dan Simpson in the Wordsmithery Heretics exhibition/performance. I produced a layered photograph which contained a self portrait, woodland and a glacier, it was good to pushed my boundaries. I was also involved ‘In the footsteps of the Pilgrims’ exhibition at St Mary’s Church Burham, one of my favourite churches near my home town. I exhibited 2 photos, both taken at night of the Church, I was extra pleased about this as one of the pieces sold and is now winging its way to America to a family who emigrated there from Burham over 20 years ago. The exhibition that had most impact on me was the Pandora’s Other Box ‘Skin’ exhibition at the Horsebridge Centre.
Top tip for exhibition photographs: have a plan for your final pieces but don’t be afraid to change it! Playing through your plan; will often bring forward ideas you may never have thought of.
I have loved working with local youth groups, artists, and Rochester Literature Festival this year. A highlight was working at Woodlands Youth Centre MC and DJ workshop for young people, lead by MC artist Harry Shotta. The young people loved the opportunity to try out their MC skills and my only regret is that I didn’t have time to try DJ’ing! A poignant event for young people I had the privilege of photographing was the Tryangle awards at the Central Theatre Chatham, the first time I had been on that stage!
Towards the end of 2016 I was pleased to photograph the See and Create launch, headed up by Artist Chris Sacre. The launch, at Nucleus Arts Chatham, was a great opportunity to learn about his Arts Council funded project aimed at Deaf families providing accessible workshops and other events in 2017.
Top tip for photographing events: sturdy shoes with no heels! and a wide angle (F1.4) lens make for a good shot particularly in low light situations and shoes with no heels make for quiet movement over wooden floors, nothing worse than a photographer with squeaky shoes!
Family photography is one of my favourites, meeting new people and providing some gorgeous informal photos for you is a pleasure. It is a delight to be invited into someones home to capture moments at a party, outdoors with mum (and dads) bump shoot, or in the studio with you and your little ones; I received some great feedback on your shoots. I also ran a competition for a family shoot this Autumn as I had missed out on taking some great photos in the autumnal leaves last year.
Top tip for photographing families: particularly those with small children/babies; ensure you have a rough plan in your head about the shots you want to achieve, and take your time, feeding and changing stops need to be factored in!
I have put this section to wrap up the year for all those things that would seem a little lonesome on their own, but gives you a flavour of everything else I get up too!
I’ve started my series of skills sharing blogs, and ran nature photography workshops with young people in Grain. My business is also now live on Gravesend.co.uk business listing pages, a particularly significant direction taking Nikki Price Photography into North Kent.
Although I am not a wedding photographer, I do make exceptions for very small number of intimate weddings each year; Garry and Vicky’s was just that, a lovely family and friends relaxed wedding, in such a beautiful setting, it was a pleasure to be part of their day.
This years short documentary/business info films include The Right Step Dance Company and my own personal short about Time which had its launch at Seasonally Effected a cultural open mic night back in November.
Being a photographer I don’t ever really stop taking photographs, after all its what I love the most. I’ve usually always got my i-phone on me to take snaps or love to take the 6D out for a spin when I feel the urge.
Since 2013 I have been thinking about and producing photographs for a body image project, celebrating the nude without over processing in photoshop. The bulk of work is growing, with more shoots to take place in the new year (when the weather warms up a bit!); this (or some elements of it) will form part of my solo exhibition (so sorry no sneak peeks here!), more news to come on that one throughout 2017.
Last on the list -but not least! some photos of my Christmas day morning stroll around the West End of London, with my partner and pooch.
Thanks for reading my blog, and your support throughout this year. Here’s to another great year of photography.
As you know I love sharing my completed and ongoing photography projects with you, whether they are through commission or personal, working on both for me is such a pleasure. I have wanted for a long time, to share more about the planning and processes I go through in order to capture that ‘best shot’.
Light.co contacted me and said how much they enjoyed my previous blogs and asked if I could write a blog about how I go about creating so many great images, so…..what a perfect opportunity to do just that. Light Co are keen to get more photographers sharing their stories of how they go about creating that great image so if you want to do get involved contact them direct. Their new camera does look very interesting, kind of a DSLR capacity but with the convenience of a phone, it uses a multiple lens system to shoot the scene at once and then they are put together in a DSLR quality photograph.
Personal projects; these start as little creative balls that bounce about in my head, sometimes they come from inspiration of other artists work online, or face to face in galleries. Other times they are the ‘wake first thing in the morning and have to keep a sketch pad next to your bed’ kinda shots that you know you just have to take or you’ll burst! My submissions for the Skin Exhibition this year at the Horsebridge Centre were like this, I had pictures in my head of exactly how I wanted these photos to look (after months of thinking about it!).
Commissioned projects; Clients contact me to book shoots as they like my informal style, our initial meeting is more of a friendly chat, them letting me know what they want, and me explaining how this can be achieved. It is the trust clients have in me (through my years of courses, practice, and self taught skills), that I love the most, its about collaboration, enabling me to have full creative reign with the photos, but within their requirements.
For a start point, what you choose to photograph, is unique to you, from your gut/your place of instinct, you have chosen to press that shutter at that exact moment for a reason.
It is difficult to think of just one shot to describe to you, so you may find the following process useful:
- Sketch (stick women are fine!) some initial ideas of how you want your particular photo to look, what camera are you using? I have upgraded to a Canon 6d, there are so many ‘point and shoot’ cameras out there, including ones on mobile phones, which provide good quality photos. What lens do you want to use (I love to work with my 50mm lens) taking into consideration of things such as depth of field. I get fully absorbed in my mind of what exactly I want to shoot sometimes over many hours!
- Shoot time – key tip if you are shooting all day, or out on location (If its a shoot for a client, I will undertake a pre-shoot to familiarise myself with the location), wear comfy shoes! remember a strong stance will help the shot if you are working with a heavy full frame camera. Many must do photography tips mention the basics of the rule of thirds, this is a good starting point to set up your photo but as the saying goes ‘aren’t all rules meant to be broken?’. Your golden shot may not come immediately, so having patience to get to it, is important, equally if you feel that you aren’t getting that ‘one shot’ then move on to the next, particularly if you are time limited, my night photography shots are very much like this; setting up in the evenings in the cold and wind, but patience and perseverance will reward you. Have a try also mixing up your photo orientation; play with portrait and landscape shots. Basic edits on phones can be undertaken by in phone or downloadable apps, I have Photoshop Express on my iPhone, and use lightroom and photoshop for more in-depth edits on the Mac (I could go into this much more, on another blog perhaps?).
- Have fun – I can’t emphasise this enough, taking photos professionally or personally is a pleasure. Always try new things and push yourself to those shots which are out of your comfort zone, some accidental photos and mis -fires in the studio have provided me with some of my most favourite shots!
Here are just some of my top recent photos:
Products: A great shoot with the Sunlight centre cafe team. This shot was taken under studio lights, 1/125 f5.6 iso 100, with my 24-105 lens. Post processing in Lightroom.
Portraits: Working with the fabulous Sullivan family. This shot was taken in early light 1/200 F5.6 iso 320 with a 50mm lens. Post processing in Lightroom.
Personal Project: Night Photography. This shot was taken at 11.30pm, 8 sec exp, f1.4 ISO 200 50mm lens. Post processing in Lightroom.
Please feel free to share your photos with me.
This blog post follows my previous blogs here and here of me getting together my ideas for the Exhibition of ‘Skin’ for Pandora’s Other Box.
During July and August, I also had my Medway Open Studios Exhibition of ‘Hidden Forms in nature and other stories’ (more about that in another blog – I promise!), which extended the exploration of ‘The Nude’ into forms of nature, mainly faces, and the suggestion of body parts mainly in the trunks of trees!
I am also preparing for a larger exhibition in 2017, where I am documenting interesting locations in states of decay, or change, with the addition of a nude figure to capture how everything eventually declines.
Whilst working in these three areas I organically came to what I wanted to submit for consideration for the Skin Exhibition.
Nature, Mother, and Grandad – three photos I was so immensely proud of, and was delighted to be accepted for exhibition of all three! The following words accompanied the photos whilst on display:
Nature – this photo is part of a series exploring nature and its hidden forms. Bark on a tree enables preservation, and encourages us to look at familiar views on ourselves, linking to the concepts of body image, and just as we come in all fabulous shapes and sizes, so does nature and we should embrace it.
Mother – this photo is part of a series which started in 2013 exploring the concepts of body image through the nude. This photo in particular on the brief of skin is acting as protection for our children.
Grandad – a tribute to a wonderful man who sadly passed away in July 2016. This photo forms part of a series over the last year where Nikki explored the concepts of self and family documentary photography, preserving a moment in time, life, and ultimately with the ones we love.
The Private view took place on Sunday 29th August; and here are a few photos taken celebrating all the wonderful artists who were included, in particular a live performance from Laure Meloy who responded to the art pieces in the form of Opera, and Clair Meyrick local poet and performer.
It has been a very personal, and heart felt journey from the first meeting to exhibition. I have felt that as a photographer, you put so much more into a photo, it’s not just about pressing the shutter, having a technically great result, but it also has a part of you, your thoughts your ideas, your creativity, your view on life is what makes your photos and what you do so unique.
Here’s to the next one.
I must admit I haven’t played around with film photography for a while, my last project of film photos was for my modern day fairytale exhibition for Medway Open Studios.
I was delighted to be asked to have a play with a Kodak Brownie 127, something of a staple camera from the 1950’s.
The prospect of using another film camera was exciting. I’m at the start of prepping for a blurred / imperfect / destructive digital photography project, and the imperfections and a ‘hope and a prayer kind of photo’ that film gives you, has fuelled my fire of producing more film photography.
As I had come to the Brownie 127 Project quite late, it seemed the perfect time to have my 9 exposures entitled ‘The Last Day of Summer’. So on the sunniest and warmest day of August 2015, I loaded up the Brownie 127 and spent some quality time in my garden.
I was fortunate enough to have ben lent a Brownie camera with a film by a fellow artist who is also submitting work for the Brownie 127 project. This and the advice via email from the project lead made this start very easy.
I was however a little apprehensive to start…..with my staple 35mm Canon Film camera, (make sure its loaded in a dark room, automatic wind on, be careful when handling the film, make sure its in a dark room etc etc), the ease and simplicity of the Brownie camera seemed a little too good to be true! but it was! Loading the film in the shade was a breeze, it was quite difficult to work out if it had caught on the spool, but after a few turns it was. The number of exposures from the rear of the camera, didn’t appear as easily I’d hoped from the instructions with ‘2 or 3 turns would suffice’, however the roll needed to be turned at least 6 to see the exposure numbers. The Brownie seemed pretty hardy and robust.
I had posted a photo of the camera on my Instagram and my Facebook business page, and quite a number of family members and friends were posting that they too had a Brownie camera exactly the same back in the day. This was also great way of getting any further tips on using it!
I really wasn’t too sure if any of my photos would come out, however as the day was bright and all photos were taken in the garden, so thought at least they would be well lit!
Due to the timescale to the project submission deadline, I sent the film away for developing, and within a week they had been returned, I think the price was reasonable for the developing. I will in the future have an experiement and develop my own.
When I had received the photos and the film back, it was evident that stillness when taking the photo was key (a skill to perfect on especially without the stabiliser function on digital cameras!), and to keep the subject wide in the view finder. I had perhaps been a little too close in shots of my dog (and that he was very energetic!). It was great to see however the contrasts in the photos were good (which I love high contrast photos), and some ‘happy mistakes’ were made when I didn’t turn the film on enough and got a double exposure on part of the film. This double exposure reminded me of when I went back to the very basics and made a camera obscura out of a shoe box. These ‘imperfections’ of slightly blurred, out of focus, and contrasty photos, I absolutely love. This camera is definitely one for more abstract photography (and great for quick holiday snaps).
I also couldn’t resist taking a photo of my digital camera, as homage to the film!
Nikki Price, The Last Day of Summer (2015) 127 Film
For those of you who would like to be involved in a Nikki Price Photography project then carry on reading:
I’m revisiting a significant/memorable place for those of you who were children/young people growing up in the Medway Towns (or near) in the 1950’s, to have your photo taken at that place today, and to give this a short paragraph of why it is memorable/significant.
If you are interested in volunteering for this next project then drop me a line through the contact me link here:
Its nearly upon us Medway Open Studios 2015, anyone see my article in WOW! (page 19!)
I’ve had a bit of creative block for this MOSAF, don’t get me wrong I’m busy busy and loving it, but have a lacked a bit of oomph for my own work. That’s when dear Mr Nikki Price Photography came to the rescue with his quotes from 80’s and 90’s movies.
This open studios has been perhaps the least prepared I’d have liked to have been, but hey some of my best work has been in the moment! This exhibition is also slightly different in that there is a mixture of both portrait, self portraits, still life and landscape, so hopefully something for everyone!
Hope you will all pop along and see me (Saturday 25th and Sunday 26th July 11-3 further details here) and see if you can match up the quotes with the photos (possible prizes available -lollies!). I’ll also be displaying some photos from the last year which I think you’ll enjoy.
Till then x
Thank you to each and everyone who has supported Nikki Price Photography in 2014. I am so pleased that my little business is growing year on year.
2014 was no exception to having a real eclectic bunch of shoots, I was going to pick my top 10, however as you can probably imagine, there are far more than 10, that I have loved!
I had the pleasure of:
working with the very talented The Right Step Dance company with their Sirens of Cheetham for this years Fuse Festival
having exclusive entry to Canterbury Prison (abandoned) before it is refurbished by Canterbury Christ Church University.
taking photos of family Pets, lets face it everyone loves our furry friends!
working with some wonderful Families
growing my portfolio of events photography at such events as; Rochester Literature Festivals; cafe crawl, garden party, Talesman, poetry day at the Guildhall
The cabaret club
Bredhurst St Peters Project, Canterbury Christ Church University Graduation.
participating once again in the fabulous MOSAF (Medway Open Studios) with a focus on Mindfulness
Rochester Literature Festivals October Exhibitions, interpreting pieces of writing into photos, and taking portraits of much loved Medway artists Thomas and Clair
my photos being included in an article about Rochester Farmers Market in ‘Medway one’ magazine
ending the year on a high with a boggy woodland walk with Stuart Turner and the Flat Earth Society, during which I’m glad to say we found the log!
I undertake many personal projects throughout the year that have given me great pleasure:
Mel and Julie, as well as Sam and Rachael got hitched. Little Louis’s has his naming day. My Partner Graduated, my puppy continues to amaze me with his learning and becoming the confident little woof that I know he can be, and photos for a calendar through the seasons with my niece.
Here’s to a fabulous 2015 x
It has been a while since my last blog back in July. I thoroughly enjoyed the Medway Open Studios and the feedback from my Mindfulness exhibition was fantastic, some more filming to come I think.
As well as being busy with commissions, event photography, workshops, photography courses and personal projects, I wanted to share with you that as a photographer I just can’t resist the urge to document things!
Everything I see and experience I want to capture in my memory as well as my camera, seeing everything from a pleasing angle. It is very easy these days to capture anything at any time (if you have a smart phone on you). Some of my most wonderful moments have been on a relaxed woodland walk with my Woof, taking the odd photo on my I-phone, which I would urge you to do as well.
My photography is such a mindfulness act, being right in the moment with my clients, friends, loved ones, continuing to see things in the best way possible, capturing that smile, the laugh of the audience, seeing the confidence grow in people who have never really done any photography before.
Documenting things has become such a part of me through my love of photography, helping me to capture those wonderful moments in life.
I just wanted to share that with you. Happy Snapping x
Well what a busy few months since my last post for July Medway Open Studios phew!
I’ve been keeping myself out of mischief with a variety of shoots of some fantastic people and events in Medway.
I was very pleased to have been awarded Medway Councils Business Start up grant in September.
I had studied the Entrepreneurship course at the University for the Creative Arts, which was tailored specifically for creative people wanting to start up a business. I found the 15 week course invaluable, giving an overview (and some well needed refresher pointers) of accounting, advice regarding networking and general business practice for your creative business. At the end of the course I had built all the necessary bits to put together my business plan for Nikki Price Photography, I discovered that Medway Council were offering Start up Grants for new business so decided to apply. My Entrepreneurship course at UCA helped the application immensely and a meeting with the Business Advisor (provided free by Medway council) was extremely useful in getting me on the right track with my business plans.
Those who live in Medway might have seen the little article of me in the Medway Matters October/November 2013.